jim leftwich, visual poems 2021

Saturday, July 17, 2021

Matte Acrylic Paint on index cards, 3 x 5, no commercial value (NCV) 07.17.2021

at 7/17/2021 03:20:00 PM

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Labels: 2021, emprientes, jim leftwich, NCV, no commercial value, smears, smudges

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1800 1842 1862 1871 1919 1924 1935 1947 1948 1950 1955 1963 1964 1965 1967 1978 1979 1980 1990 2021 Abraham Abulafia abstract abstrasemics aeolian poetics Aldous Huxley alembic Allen Ginsberg alphabet scars Ambrose Akinmusire American haiku Amina Claudine Myers Amirtha Kidambi Andre Breton Anthropocene apophenia archaic revival architextures arrangements asemantic asemic asemic narration asemic writing asemimesa asemous asemous writing athanor bag text Barthes Ben Vida with Yarn/Wire & Nina Dante blotch blurs Bob Dylan Buddhist Junk Mail camera captain beefheart catastrophe poetics Cecil Taylor Cezanne Charles Olson children's art chromatic realities chromatic subjectivities Cioran collage collage poem constellations crayon cropped cut-ups Dada Darius Jones delta blues Denise Levertov derangement desemantized desemantized handwriting desemantized writing destabilized handwriting dialectic dirty vispo Diter Rot dreams dripping ego poems Dubuffet ecdysiasemic ecosemics Emily Dickinson emprientes emptier signified energy everyday life everything else is you experiential found frenetic romanticism Gertrude Stein gestural gestural & letteral gestural photography gnosis handprints handwriting mutations handwriting variations Hannah Höch Hannah Weiner Henri Michaux holograph Howl imagining language improvisation improvisational improvisational epistemology improvisations against propaganda improvisatory improvised In Praise of Nonsense index cards inkblots intaglios Isidore Isou jack kerouac Jackson Mac Low Jean Arp jim leftwich Jim Morrison John Hoffman Kamasi Washington Lascaux letteral Lettrist light sculpture lightwriting logophagia lunic panzemes magickal absurdities magickal contradictions magickal fallacies magickal non sequiturs map Marion Brown Mary Halvorson's Code Girl memories NCV neoasemic Nicole Mitchell no commercial value oceanic poetics Okkyung Lee ongoing research ordinary mind organic form outsider art pansemic pareidolia participatory economics pensemic petroglyphs Philip Lamantia photograph pictographs play poem collage poetry political poetry polysemic polysemous polysemous selflessness Post Croaker Norge post-alphabetical post-lettrist post-neoasemic doodling post-penmanship Post-Raphesemics post-staceal pre-alphabetical prepared pen psychic automatism puzzles are worse than stories quantum nonlocality quasi-calligraphic alphabet improvisations quasi-calligraphic drawing quasi-intentional quotidian mind Ralph Waldo Emerson raphesemic recombination reflections regardless of what you think Rimbaud roadsigns Robert Creeley schizmogenesis scraps scratchings scrawls scribblepoems scribbles sdvig semisemic lesssenseness senseless shadows Shakespeare shaky camera Six Gallery smears smudges smushes songs spirit writing splotch squiggles stamp dance stamps stencilworks sub-semic particles sub-semic writing subsemic Sun Ra surrealism syncretic tafonic tape transfer tear-ups textimagepoem that's not what they meant The October Revolution In Jazz The October Revolution In Poetry things rescued from eternal non-existence TISM | Tom Rainey / Ingrid Laubrock / Sylvie Courvoisier / Mark Feldman trashpo tzeruf otiyot useless writing varieties of asemous experience vernacular mind vispo visual poems visual poetry visual writing what makes you think so? wild form William Blake William Carlos Williams word sculptures wordmush Wordsworth writing against itself xyzemic zensemic zerufe otiot

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